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Blood On The Tracks - New York Sessions [2018 Mix]
✏️ Editing record
Artist
ArtistId
Geoff Achison
William Ackerman
Ryan Adams
Texas Alexander
Alice Sara Ott
Duane Allman
Jon Anderson
Anderson, Bruford, Wakeman, Howe
Ariel
PP Arnold
Clarence Ashley
Ayers Rock
Bach
Lisa Batiashvili
BBM
Jeff Beck
Bert Jansch & John Renbourn
Black Country Communion
Scrapper Blackwell
Norman Blake
Blind Blake
Blind Faith
Rory Block
Joe Bonamassa
Eddie Boyd
Anouar Brahem
Michael Brecker
Big Bill Broonzy
Jackson Browne
Jack Bruce
Buddy Guy & Junior Wells
Buena Vista Social Club
Vika Bull
Canned Heat
Captain Beefheart
Bo Carter
Martin Carthy
Thibault Cauvin
Chain
Blondie Chaplin
Chopin
Eric Clapton
Richard Clapton
Stanley Clarke
Bruce Cockburn
Leonard Cohen
John Coltrane
Shawn Colvin
Ry Cooder
Elvis Costello
Cream
Crosby, Stills And Nash
Crosby, Stills, Nash & Young
Crowded House
John Crowle
Julius Daniels
Rick Danko
David Laibman & Eric Schoenberg
Miles Davis
Reverend Gary Davis
Alex de Grassi
Derek And The Dominos
Al Di Meola
Al Di Meola, John McLaughlin, Paco De Lucia
Dion
Dire Straits
Donovan
Nick Drake
Julie Driscoll
Champion Jack Dupree
Bob Dylan
Eric Clapton & Friends
Eric Clapton & Steve Winwood
Eric Von Schmidt
Sleepy John Estes
John Fahey
Fairport Convention
Nusrat Fateh Ali Khan
Bryan Ferry
Samantha Fish
Fleetwood Mac
Dan Fogelberg
John Fogerty
Robben Ford
Mississippi Fred McDowell
Robert Fripp
Bill Frisell
Blind Boy Fuller
Peter Gabriel
Serge Gainsbourg
Rory Gallagher
Ricardo Gallen
Jan Garbarek
John Eliot Gardiner & the London Symphony Orchestra
Peter Garrett
Mark Gillespie
Gothenburg Symphony Orchestra, Santtu-Matias Rouvali
Glenn Gould
Grateful Dead
Peter Green
Helene Grimaud
Stefan Grossman
Groundhogs
Grumiaux Trio
Philippe Guidat
Arlo Guthrie
Woody Guthrie
Buddy Guy
Hilary Hahn
John Hammond
Herbie Hancock
Roy Hargrove
Ben Harper
Emmylou Harris
George Harrison
Richie Havens
Ronnie Hawkins
Warren Haynes
Michael Hedges
Fletcher Henderson
Jimi Hendrix
Herbie Hancock, Michael Brecker, Roy Hargrove
John Hiatt
John Lee Hooker
Daniel Hope
Tim Hopkins
Hot Tuna
Son House
Cisco Houston
Howlin' Wolf
Steve Hoy
Freddie Hubbard
Fenella Humphreys
Hunters & Collectors
Alina Ibragimova
Joe Jackson
Elmore James
Skip James
Bert Jansch
Keith Jarrett
Jeff St. John and Copperwine
Blind Lemon Jefferson
Jimmy Rogers
Jo Jo Zep & The Falcons
Mississippi John Hurt
John McLaughlin & Carlos Santana
John McLaughlin with Shakti
Blind Willie Johnson
Robert Johnson
Tommy Johnson
Norah Jones
Julie Driscoll & Brian Auger
Jo Ann Kelly
Paul Kelly
B.B. King
Freddie King
Kings Of Leon
Mark Knopfler
Koerner, Ray & Glover
Leo Kottke
Ed Kuepper
Greg Lake
Simone Lamsma
Leadbelly
Led Zeppelin
J. B. Lenoir
Gordon Lightfoot
Lindisfarne
David Lindley
Mance Lipscomb
Little Feat
Little Steven
Little Village
Little Walter
Living Colour
Nils Lofgren
Lyle Lovett
Juicy Lucy
Magic Sam
Taj Mahal
Mahavishnu Orchestra
Manassas
Manfred Mann
Manfred Mann's Earth Band
Branford Marsalis
Wynton Marsalis
John Martyn
Dave Matthews
Ian Matthews
Dave Matthews Band
John Mayall
John Mayer
Mike McClellan
Sam McGee
Ellen McIlwaine
John McLaughlin
Blind Willie McTell
Ralph McTell
Memphis Minnie
Memphis Slim
Pat Metheny
Michel Legrand
Midnight Oil
Tim Minchin
Joni Mitchell
Thelonious Monk
Gary Moore
Ennio Morricone
Van Morrison
Mozart
Muddy Waters And Howlin' Wolf
Mumford & Sons
Muse
Anne-Sophie Mutter
Fred Neil
Nirvana
Northern Ballet
Laura Nyro
Otis Spann
Jimmy Page
Graham Parker
Gram Parsons
Jaco Pastorius
Charley Patton
Paul Butterfield's Better Days
Pearl Jam
Pentangle
Courtney Pine
Pink Floyd
Plainsong
Larkin Poe
John Prine
Sylvie Proulx
Greg Quill
R.E.M
Rage Against The Machine
Ma Rainey
Bonnie Raitt
Willis Alan Ramsey
Leon Redbone
Lou Reed
Terry Reid
Trent Reznor & Atticus Ross
Richard & Linda Thompson
Max Richter
Maggie Rigby
Johnny Rivers
Margret Roadnight
Robbie Robertson
Jimmie Rodgers
Paul Rodgers
Sonny Rollins
Roxy Music
Todd Rundgren
Otis Rush
Tom Rush
Ry Cooder & David Lindley
Terje Rypdal
Doug Sahm
Sam & Dave
Sam The Sham And The Pharaohs
Sam Samudio
Santana
Sayaka Shoji & St. Petersburg Philharmonic Orchestra
Jeffrey Shurtleff
Sibelius
Jean Sibelius
Paul Siebel
Paul Simon
Skydive Trio
Small Faces
Bessie Smith
Broderick Smith's Big Combo
Son House, Jo-Anne Kelly, Woody Mann
Spectrum
Joseph Spence
The Spencer Davis Group
Lloyd Spiegel
Bruce Springsteen
Tomasz Stanko
Steely Dan
Al Stewart
Sting
Strange Creek Singers
Taj Mahal & Ry Cooder
Talking Heads
Tangerine Dream
Taste
James Taylor
Matt Taylor
Tut Taylor
Ten Years After
Sister Rosetta Tharpe
The Allman Brothers Band
The Animals
The Band
The Beatles
The Blues Project
The Butterfield Blues Band
The Carter Family
The Clash
The Dingoes
The Doors
The Ducks
The Easybeats
The Everly Brothers
The Finn Brothers
The Kinks
The Loved Ones
The Neville Brothers
The Nice
The Paul Butterfield Blues Band
The Police
The Rolling Stones
The Smashing Pumpkins
The Twilights
The Walker Brothers
The Who
The Yardbirds
The Youngbloods
Them
Henry Thomas
Ramblin' Thomas
Linda Thompson
Richard Thompson
Teddy Thompson
Billy Thorpe & The Aztecs
Dutch Tilders
Ralph Towner
Pete Townshend
Traffic
Jethro Tull
U2
Dave Van Ronk
Vanilla Fudge
Various
VariousClassical
VariousJazz
Stevie Ray Vaughan
Miroslav Vitous
Jerry Jeff Walker
Joe Walsh
Muddy Waters
Roger Waters
Junior Wells
Bukka White
Leo Wijnkamp Jr
Reverend Robert Wilkins
John Williams
Lucinda Williams
Paul Williams
Sonny Boy Williamson
Steven Wilson
Jesse Winchester
Johnny Winter
Steve Winwood
Stevie Wonder
Yes
Jesse Colin Young
Neil Young
Steve Young
Frank Zappa
Warren Zevon
Pinchas Zukerman
Zwan
Record Details
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SubTitle
Recorded
Discs
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Length
Review
Review
<p>On Record Store Day 2019, Legacy Records issued a limited edition vinyl LP reproducing the original test pressing of Bob Dylan's landmark 1975 album Blood On The Tracks. The LP was limited to 7,500 copies. This was the first time the much-bootlegged test pressing -- commonly referred to as the "New York version" -- was made available commercially. All ten tracks on the test pressing were recorded at A&R Recording Studios in New York City.</p><p>The 1975 commercial release of Blood On The Tracks contained five original New York tracks and five rerecorded Minnesota tracks. Dylan's brother David Zimmerman encouraged him to rerecord those five latter tracks at Minneapolis Sound 80 Studios with local musicians to make the overall sound of the album less downbeat. There were originally only five copies of the Columbia test pressing known to exist. Amoeba Records in Los Angeles, California acquired one of those copies in 2015 and reportedly sold it for a whopping $12,000.</p><p>The original test pressing does have more consistency in sound – although not very many people seemed to complain about any perceived inconsistency on the released album for 40 years. The test pressing sounds more personal, logically enough for an album that was recorded during four sessions with little accompaniment. In many ways, it's reminiscent of the early Dylan recordings from the days before he went electric. It's a good thing Dylan took his brother's advice, because if those five tracks had not been rerecorded, then Blood On The Tracks would probably not have been as commercially successful as it was. The 1975 album was one of Dylan's best-selling albums ever, reaching Number One on the Billboard album chart, and has since been certified double-platinum. Also, it is highly unlikely that the original New York version of "Tangled Up In Blue" would have been a Top 40 single; the released version of the song peaked at Number 31 on the Billboard Hot 100 chart. Like it or not, the album's commercial success is probably the reason it is so well-remembered. Classic album status is usually not built on critical acclaim alone.</p><p>That said, it is good to have the New York versions of the five rerecorded songs available, because they show another side to the Bard's brilliant songwriting on those compositions. If the test pressing is not necessarily a substitute for the released album, it is certainly a useful companion piece.</p><p>In fact, the test pressing's version of "Tangled Up In Blue" is arguably better than the more polished hit version. This version is slower and more understated, giving the song a more introspective feeling and drawing more attention to the lyrics. Many lyrics were changed, and some -- though not all -- in the New York version were sung about a third-person instead of from a first-person point of view, making it a bit clearer that the song is about a number of people instead of just one.</p><p>The test pressing's version of "Idiot Wind" is also much more understated, with many changed lyrics. One striking difference is that an organ is used to provide a more subtle undercurrent to the quieter arrangement. Still, the fuller-sounding released version is far more pleasing to the ears.</p><p>Most notably, the test pressing's version of "Lily, Rosemary and the Jack of Hearts" is far preferable to the rerecorded version on the released album. The epic poem about a symbolic poker game has a more stripped down sound and one extra verse on the New York version, which has a more engaging storytelling style than the fuller-sounding, faster-moving Minneapolis version.</p><p>The other two alternate test pressing tracks are inferior to their rerecorded versions, but both of them have their place. The "If You See Her, Say Hello" New York version certainly sounds like a demo, but it is interesting how the different lyrics in the third verse change the meaning of the song about wishing an ex-lover well despite the pain caused by the breakup. Instead of saying "If you get close to her, kiss her once for me" like he did on the released version, Dylan said on the New York version: "If you're making love to her, kiss her for The Kid"...Wait, what?! The New York version of "You're A Big Girl Now" has a similarly unfinished demo quality, and slightly rearranged verses – not necessarily a bad thing, since this version has more emotional subtlety. But the released Minneapolis version's fuller production makes it more satisfying.</p><p>All five of these alternate tracks were included on the 6-CD limited Deluxe Edition of More Blood, More Tracks: The Bootleg Series Vol. 14 released in 2018 (Columbia 19075858962S1). The test pressing versions of "Tangled Up In Blue" and "Idiot Wind" were issued on the 1991 box set The Bootleg Series, Vols. 1-3: Rare and Unreleased, 1961-1991. The test pressing version of "You're A Big Girl Now" was issued on the 1985 Biograph box set.</p><p>For the track listing below, the New York tracks that are different than the released album tracks have been marked with an asterisk. I have also included the descriptions of those tracks from the More Blood, More Tracks notes.</p><p>Bob Dylan "Blood On The Tracks" (test pressing) (Columbia 33235-14) 1974</p><p>Bob Dylan - Blood on the Tracks: Original New York Test Pressing</p><p>Bob Dylan "Blood On The Tracks - The Original New York Test Pressing" (Columbia 1907593122151) 2019</p><p>Track Listing:</p><p>01. Tangled Up In Blue * -- (take 3, remake 2)</p><p>02. Simple Twist Of Fate</p><p>03. You're A Big Girl Now * -- (take 2, remake)</p><p>04. Idiot Wind * -- (take 4, remake)</p><p>05. You're Gonna Make Me Lonesome When You Go</p><p>06. Meet Me In The Morning</p><p>07. Lily, Rosemary and the Jack of Hearts * -- (take 2, solo)</p><p>08. If You See Her, Say Hello * -- (take 1, remake)</p><p>09. Shelter From The Storm</p><p>10. Buckets Of Rain</p><p>* -- original New York recording, later rerecorded in Minnesota</p>
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